About the artist
I'm Hollie. I draw faces until they look back.
Portrait artist working in charcoal, graphite and coloured pencil. No art school and no degree — just an appetite for paper, faces, and drawing whatever I like.

I took art at GCSE and then A level, and spent most of it learning what I didn't want: set subjects, set timing, marks for doing it the approved way.
It nearly put me off for good. I finished the exams, put the pencils down for a while, and only came back to it once nobody was grading the result. Everything here is made on my own terms — my subjects, my pace, my brief.
I have no art school behind me — just years of evening practice, a lot of ruined paper, and friends who kept asking for portraits until I stopped calling it a hobby. The animal pieces came first. Then someone asked for their grandmother, and then a face from a film, and the two strands of the work grew side by side.
Almost everything is drawn on toned paper. It gives the whole piece a temperature before I've made a single mark, and it means I can leave the light alone rather than chasing it with white. Most of these drawings are one continuous sitting of three or four hours, plus a slow second pass the next evening once I've stopped being pleased with myself.
I keep the work affordable on purpose. Prints sit between £20 and £48 so the drawings can live in normal houses, and originals are priced for people buying their first piece of original art rather than their tenth.
What's on the desk
Paper
Warm toned pastel paper, 160gsm upwards. The colour of the sheet does half the work.
Charcoal
Vine charcoal for the loose first pass, compressed charcoal for the darks that need to stay put.
Coloured pencil
Layered in thin, patient passes. Some pieces take five or six layers before the colour sits down.
Finishing
A soft brush, a kneaded eraser, and then nothing at all — no fixative spray unless it is leaving the studio.